This series of analogue self-portraits is an attempt to confront the body as it moves through time—a body that is both witness to and subject of decay. Here, the camera becomes more than a means of recording the self; it becomes a space for pause, repetition, and observing disappearance.
Time settles into the negatives, while the body, suspended between presence and fading, becomes a reminder of the inevitability of death. Rather than simply documenting the self, these self-portraits explore change, impermanence, and the experience of loss.